Graduate Lecture Series: Rashawn Griffin
January 08, 2020
MFA in Visual Studies is excited to welcome Rashawn Griffin for a lecture on his work and practice as part of the Hallie Ford School of Graduate Studies Spring 2020 Lecture Series.
Rashawn Griffin uses diverse materials such as bed sheets, tassels, food, and flora to create large-scale sculpture and paintings. After receiving a MFA from Yale University in 2005, he has exhibited in multiple solo and group exhibitions in the United States and abroad. Often pushing the boundaries between object and installation, his work challenges viewers to engage in their own past experiences when confronting his art. A haunting installation in the 2008 Whitney Biennial, for example, is punctuated by a live audio feed from a field in Kansas, where the artist was raised. A lumbering garbage bag man/sculpture wanders through a field in “To bring love/terrible things”, highlighting his exploration of place, site specificity, and identity. Griffin’s installations explore the relationship between architecture and the traditions of painting with a series of stretched fabric walls; as the picture becomes the space, the pictorial space highlights the architecture.
Living and working in Kansas and New York City, he was a 2006 resident of the Studio Museum in Harlem’s AIR program. Along with the 2008 Whitney Biennial, his work has been exhibited widely, including a two-person exhibition at the Studio Museum (RSVP), as well as “Freeway Balconies” at the Deutsche Guggenheim in Berlin, Germany, and “THREADS: Textiles and Fiber in the works of African American Artists” at EK Projects in Beijing. Recently the subject of the solo exhibition “A hole-in-the-wall country” at the Nerman Museum of Contemporary Art in Overland Park, Kansas, as well as participating in the exhibition “Minimal Baroque” at Rønnebæksholm in Næstved, Denmark.
Free and open to the public. Can’t be there in person? Watch on our Livestream channel:
Be sure to see MA Critical Studies Student, Jason Le, moderate Andrew Tay and Stephen Thompson's discussion of their performance, Make Banana Cry!
The Hallie Ford School of Graduate Studies is happy to present a panel discussion with scholars Christopher Ian Foster + Carmen P. Thompson!
Launch your future in art and design! Visit with counselors, admissions team members, and faculty from art and design schools for a portfolio review before applying to colleges or universities.
Join PNCA's MFA Applied Craft + Design Chair Sara Huston, faculty member and mentor Abbie Miller and artist and craftswoman Annica Cuppetelli in conversation as they delve into their individual use of both hand work and machine techniques, and share their research on the various layers of production and information that are intertwined with objects, processes, and materials, as well as their need to evolve, adapt, and establish craft in relationship to making and industry. The event will be at GMA Architects, where Miller’s ongoing exhibition serves as a backdrop for the talk.
October 30 @ 6:00 pm - 7:30 pm PDT
GMA Architects Office building, 240 N Broadway, Unit 203 Portland, OR 97227
This event is part of Portland Textile Month https://www.textilex.org/event/the-evolving-hand/