Gate Radon

Lisa Radon (2018-2019)


Lisa Radon is an artist and poet concerned with the proposal and or generation of speculative frictions. She has made exhibitions at PANEL.LA (Los Angeles), Et al. (San Francisco), the Portland Institute for Contemporary Art, Pied-à-terre (San Francisco), Ditch Projects (Springfield, OR), Artspeak (Vancouver, B.C), the Henry Art Gallery (Seattle), RONGWRONG (Amsterdam), and Jupiter Woods (London), among others. Her work was included in the 2016 Portland Biennial, and her practice has been supported by The New Foundation, the Oregon Arts Commission, the Regional Arts and Culture Council, c3:Initiative, and the Precipice Fund through the Portland Institute for Contemporary Art, Calligram Foundation, and the Andy Warhol Foundation for the Visual Arts.

Radon's publications include Wholeness Engine (Jupiter Woods, 2016), The Blind Remembrance of the Swirling Bone (Ditch Projects/Artspeak, 2015), Infinity Increaser (PICA, 2015), The Plumb and The Wave (Pied-à-terre, 2014), Prototyping Eutopias (2013), and A Reading (Portland Institute for Contemporary Art, 2012). Age of Sand (PANEL), a time-traveling, mythopoetic, cyberfeminist work is forthcoming in 2019. Radon publishes the journal EIGHTS and co-publishes the pamphlet series, Times Atlas of the Moon. Her work is held in the collection of the Henry Art Gallery and private collections.